AH-ART (2017) TAIWAN｜2017｜DOCUMENTARY TV

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AH-ART 啊! 藝術 (2017)

TAIWAN｜2017｜DOCUMENTARY TV｜6 episodes (30 mins/per)

DIRECTOR: Hao-hsuan Hsu

PRODUCER: Lee Yen Hsun

PRESENTED BY: Music Nation Ursa Major Limited

SYNOPSIS

Ep1. Auction & Art Fair「Who Decide The Value Of Art」

Who decides the beauty and the price of an artwork? Is it the art auction house, the collector, or the artist?

Ep2. Gallery「Reveal The Mystery Of The White Box」

Artists are always looking for uniqueness, and so are the gallery owners. From Japanese bath house, aged movie theater, even to the warehouse at the port, the more peculiar the place is, the more interested the gallery owners are. But how do the artworks interact with these kinds of exhibition spaces?

Ep3. Artist「Young Artist’s Dream Ara」

What difference lies between the UK and China in terms of education? If he chooses to stay in Xi’an, what kind of soil could this place provide for the artists?

EP4. Repair & Storage「The Guardian Of Artwork」

Just like human beings, artworks can also get sick or grow wrinkles with time. Today we have an appointment with “art doctors,” who are going to tell us how to keep the artworks forever young. Maintenance is key.

EP6. Special Collections「don Quijote’s Collections」

Collections are not restricted only to paintings or sculptures. With the rapid development of technology, photography, video and audio clips, a single concept, and even the shoes worn by the artist could all be one’s collection and blow your minds.

中文大綱(六集)

一、拍賣博覽篇：藝術的價值由誰決定？
藝術的審美與價錢倒底由誰決定，是拍賣公司？藏家？還是藝術家？
除了畫家與藏家，藝術世界裡還有應運而生的畫廊、博覽會、拍賣行等各種相關產業，看起來各自獨立，但其實互相牽動、互相影響，就像是個藝術的生態圈，
那麼在這裡面，誰是生產者，誰是消費者，又誰是分解者呢？

二、畫廊篇：拉開白色空間的神秘面紗

搞藝術的人都愛追求獨一無二，當然開畫廊的人也是，日式澡堂、舊戲院甚至是港口的倉庫，越怪的地方他們越喜歡，那麼藝術品又會如何與空間產生對話呢？

三、藝術家篇：青年藝術家的夢時代

環境就像是藝術家的土壤，對於創作會產生絕對的影響

西安美院，一位大三的學生說畢業後想去英國留學，英國的教育方式和中國有什麼不同？讓他如此嚮往。

而就讀英國皇家學院的劉啓恆，畢業後又是想留在英國還是回去中國？

那麼如果不出國，待在西安，這裡能給藝術家的又是什麼樣的土壤呢？

四、修復儲藏篇：藝術品的守護者

藝術品跟人一樣，老了也會生病，長皺紋，今天我們來去跟藝術醫生掛號，請教一下要給藝術品擦甚麼樣的保養品，才可以永保年輕。

談治療前應該先講保養，專業的倉儲公司和錶框師傅，除了扮演守護者的角色，這幾年更開發出新的業務，賣起畫材，甚至舉辦收藏展，看原本儲存天皇大米的寺田倉庫，是如何創造新意。